"A heart-wrenching, self-reflecting performance of a striking composition... an extraordinary experience"
-OperaWire
Review of Cantanti Project's production of Euridice by Giulio Caccini

"Fleet fingers... sophisticated harpsichord playing"
-Capriccio
Review of Polyphemus Solo Series recital

"Elegant continuo."
-Arts Fuse
Review of concert with Mistral Music

"Refined and flexible playing..."
-Boston Globe
Review of Helios Early Opera's production of Artemisia by Francesco Cavalli

"Beautifully executed continuo... the organ solo was performed impeccably."
-Local Arts Live, Philadelphia
Review of concert with Buxtehude Consort

"The continuo took a page from the best jazz rhythm sections, adding accents behind recitatives that were felt more than heard." 
-Boston Musical Intelligencer
Review of Helios Early Opera's production of Pimpinone by Telemann

"This one rocked."
-Boston Musical Intelligencer
Review of concert with Cambridge Concentus

"Sauerwald provided excellent glue... realizing the figures and cuing by nods." 
-Boston Musical Intelligencer
Review of concert with Tramontana and Long & Away